Houston Chronicle
"The performances certainly dazzle. Top to bottom – literally, from Amore (Camille Zamora) descending from the sky on wires, to Susan Graham (Poppea) and William Burden (Nerone) sinking into a trap while prone on a chaise lounge – the singing is excellent."- Charles Ward (L’Incoronazione di Poppea, Houston Grand Opera)The Houston Express
"Houston Grand Opera's publicity department speaks the truth: this is a dream team of singing actors; top to bottom, the best-cast production in recent memory. When Amore (a sprightly Camille Zamora) descends from the flies on wires as a dues ex machine, he's a little blond sailor boy in Bermuda shorts and kneesocks."- D.L.Grover (L’Incoronazione di Poppea, Houston Grand Opera)The Express News
"Houston Grand Opera has assembled a near-dream cast for Claudio Monteverdi's The Coronation of Poppea in the first American staging of a provocative, visually stunning production from Bologna… a trove of talent, most notably… soprano Camille Zamora as an irrepressible Page and a flying Amore."- Mike Greenberg (L’Incoronazione di Poppea, Houston Grand Opera )
The Ithaca Times
"Soprano Camille Zamora sang a fine account of a somewhat hard-edged Despina, the sisters’ teen-age maid. Both her first and second act aria were very well performed, especially “Una donna a quindici anni” in which she amusingly imparted the experience of her youth to her naïve elders. And in both disguises, first as a quack doctor summoned to revive the poisoned men with magnets, then as a notary called to “wed” the re-matched couples in mongrel Latin, she was entirely credible in both appearance and manner."- Stephen Landesman (Cosi fan tutte, Glimmerglass Opera)The Daily Gazette
"An exquisitely controlled and exuberant production… Zamora sang well and showed good versatility and a nice comic flair with her acting, which included playing the parts of a doctor and a lawyer – part of the plot’s deception."- Geraldine Freedman (Cosi fan tutte, Glimmerglass Opera)
Camille Zamora’s official website
