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Discography

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If the Night Grows Dark

Tarragó: If The Night Grows Dark / Si La Noche Se Hace Oscura: 4 Centuries of Spanish Song

Hailed by NBC Latino and the Congressional Hispanic Caucus as a leading interpreter of classical Spanish song, Camille shares the musical treasures of her heritage, including signature works that she has performed on five continents and in live broadcasts on NPR, BBC, and Deutsche Radio. The album, which debuted at #6 on the Billboard Classical Top Ten, features known works as well as previously unrecorded gems arranged by the great Catalan guitarist/scholar Graciano Tarragó.
Tarragó

Le Dernier Sorcier

Camille's recording of Pauline Viardot’s Le Dernier Sorcier (The Last Sorcerer) on the Bridge Label is a #1 Classical Best Seller on Amazon, a Billboard Classical Top Ten album, an American Record Guide Critic’s Choice, and an Opera News Critic’s Choice. The album was recently highlighted in The New Times special playlist for the feature, “A Queen of 19th Century Opera Gets New Attention.”
Viardot
The Long Christmas Dinner

The Long Christmas Dinner

The world premiere English-language recording of Hindemith’s haunting opera The Long Christmas Dinner (American Symphony Orchestra; Leon Botstein, Conductor) features Camille in the principal soprano role of Lucia, and was a New York Times Classical Playlist Choice and Opera News Recording of the Year.
Hindemith
Aids Quilt Songbook-Sing for Hope

An AIDS Quilt Songbook: Sing for Hope

This historic album features a broad range of stellar artists including Yo-Yo Ma, Joyce DiDonato, Sharon Stone, Lester Lynch, Thomas Bagwell, Herschel Garfein, Noah Stewart, Isabel Leonard, Monica Yunus, Jamie Barton, Camille Zamora, and more. This all-star cast of renowned singers and instrumentalists comes together to sing for hope and for the cause of AIDS research. It features new songs by established and emerging American composers, many specially commissioned, and creates a global musical portrait of AIDS today.
Various

NEW MUSIC WITH GUITAR, VOL. 10
DAVID STAROBIN

David Starobin's acclaimed New Music with Guitar series has been "in progress" since 1981. The latest installment by the guitarist called "arguably the most influential American classical guitarist of the twentieth century" (Soundboard Magazine) includes both instrumental and vocal music performed by Starobin with long-time collaborators, including soprano Camille Zamora.
Various

Die Verschworenen

Die Verschworenen, also known as Der häusliche Krieg (D 787), is an 1823 one-act singspiel by Franz Schubert on a libretto by Ignaz Franz Castelli, with spoken dialogue by the composer. Castelli's libretto was based on Aristophanes’ Lysistrata. The album features Camille Zamora, Nathan Stark, Deanna Breiwick, Nicholas Phan, Bard Festival Chorale, and American Symphony Orchestra conducted by Leon Botstein.
SCHUBERT

DIe Liebe der Danae

Die Liebe der Danae (The Love of Danae) is an opera in three acts by Richard Strauss written between 1937 and 1940. The opera is an ingenious mixture of comedy and Greek mythology featuring some of Strauss’ finest music. The album features a brilliant cast including Meagan Miller, Carsten Wittmoser, Roger Honeywell, Sarah Jane McMahon, Dennis Petersen, Jud Perry, Aurora Sein Perry, Camille Zamora, Jamie Van Eyck, Rebecca Ringle, Bard Festival Chorale, and American Symphony Orchestra conducted by Leon Botstein.
Strauss

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JAENERAS, arr. Graciano Tarragó

Camille Zamora, Soprano & Cem Duruöz, Guitar

From the album Si la noche se hace oscura / If the night grows dark Four Centuries of Spanish Song Arranged by Graciano Tarragó, recorded by Marlan Barry at the American Academy of Arts and Letters, and released on the acclaimed indie-classical label Bright Shiny Things. From the Bright Shiny Things website:
The seeds of this album were planted, as Zamora relates in her lively, informative album note, in “a dusty music shop on a side street” in Madrid, where she’d sought “refuge from the midday sun.” There, she writes, “I stumbled upon some out-of-print folios. My Texan-Spanish-New Yorker self recognized in the yellowed pages certain essential parts of my own musical makeup: the canciones my father sang to me as a child while accompanying himself on his guitar, the stories of my grandfather serenading my grandmother in his sweetly scratchy baritone, my very first classical album featuring Victoria de los Angeles singing zarzuela in her crystalline soprano… Flipping through those old scores that afternoon and humming under my breath, I fell in love with the songs. I resonated with the light-dark Spanish sensibility built into the melodies… the awareness of sorrow in joy and joy in sorrow.”

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